You might be able to utilize Audacity to refashion some of the really common and prevalent audio effects, for instance ‘rewinding’ and that scary ghostlike pre-echo. Everything you require doing is to begin with the reversed soundtracks.
‘Reverse’ Sound Effects
Numerous audio effects are merely utilized in reverse, from the finish of the recording to the start of it. Performing this live necessitates good mastery and well-adjusted equipment since it gives rise to a delay amongst playing the instrument and perceiving it from the amplifier. As we’re creating sound samples out of the recordings, things are really stress-free for us.
Audacity comes with the ‘reverse’ effect, and while you click on the play button you are going to hear the audio track played in reverse.
Choose what you desire to modify, and then click on Effect > Reverse.
This might be able to augment a lot to your audio projects and come in handy while it is Halloween.
You might as well make use of the reverse tool to implant inverted lines or phrases and integrate them within a layered audio track that’s destined to be played straight on. This is mentioned to as backmasking and is every so often utilized for furtive messages within the songs. The reversed audio might time and again sound creepy or strange by itself, but you might improve this by altering the tempo or toting a descending pitch shift or time scale.
Rewinding the Tape
You may also generate a “rewind” result by reversing the track and clicking on Effect > Change Speed. Utilize a rate of no less than 100%. This is going to alter speed and the tempo together, feigning an audio tape that has been played rearward.
Delay and Reverb
These sound effects impart a lot en route for turning the eerie echo-loaded ghost-like undertones that outbreak in horror movies. This sound effect is really easy to refabricate, as well. Reverse the track, ensure that you put some stillness at the termination of the audio, and put in some delay. These are the settings that we utilized to generate the sound at the opening of this post.
This must provide you with the thin echoes that repeat and an upsurge in frequency on to the original sound whilst it is being played forwards. Subsequently, put in a few GVerb. These are the settings that we began with.
You must upsurge the dry signal level with the intention that the original sound might be heard even then, and you might be able to turn the initial reflection level down to improve the effect of ‘sucking in’.
So, these were the setting that you may play around with to understand what sounds top class. Last, of all, choose the audio track and reverse it one more time, so that you might be able to hear it forwards.